Music can carry powerful memories and emotions through generations, as Scott Durbin of the Imagination Movers shares with us.
Scott, whose grandmother was Native American, recalls participating in powwows at a very young age. His family’s tribe would come together to honor their cultural traditions, and music with drumming and dancing was a central component.
“I remember being very young, dressed in garb and doing a powwow, and as much as a six year old can intuit a spiritual elevation because of the music and the beat, I knew this was amazing.”
Through experiencing the resonating drum circles and participating in the spirituality of his ancestral heritage alongside his grandmother and family, he came to know the power of music early. Scott believes this may be his first clear memory of music unlocking a moment of revelation.
Journey into the past with more music memories brought to you by Confetti Park.
Charlie Bush is a guitar player, drummer, and a retired chef from Shreveport, Louisiana. His childhood was imbued with music, as he had an incredibly wonderfully large musical family, with all the siblings having particular instruments they played and a personal repertoire of songs they were known for singing in their family ranks.
Charlie’s brother Bill Bush is a Louisiana legend who led a musical combo for fifty years. (Learn about the Bill Bush Combo) He operated a club in Shreveport called the Moulin Rouge, where members of the family honed their performance chops. Eventually, Charlie and his sister Rebecca toured New Zealand as a duo singing folk and rock songs.
Charlie’s mom Ruby had a big impact on his appreciation of music (and that of his siblings).
“It started out with my mom, who was a piano player, and played for all my talent shows growing up,” says Charlie.
Ruby is still living at 99 years young and regularly performs for her fellow residents at a nursing home in the Dallas area!
Charlie took ukulele lessons when he was seven years old at the Shreveport Memorial Library. (Aren’t public libraries WONDERFUL??) Soon after, he started taking guitar lessons.
“My first song was John Denver, ‘Take Me Home, Country Roads,’” recalls Charlie. “Then I learned 27 Jimmy Buffet songs because they were all three and four chords. Easy to learn…. and I just went on from there!”
And that’s how it’s done, kids. Find an instrument you like, learn some popular songs you really love. Start with the easy ones. Once you learn just a few chords, the world of musical performance opens up to you!
Thank you Charlie Bush for sharing your childhood music memories with Confetti Park.
Andreas Sahar, of New Orleans, is a musician, songwriter, and the artistic director of Totally Square Records. In this interview with Confetti Park, Andreas talks about his record label, about his earliest childhood musical memories, and about nurturing a love for music within his own young children.
Wimmerpot
From Andreas’ childhood recollections is the enchanting nickname his grandmother gave him: “wimmerpot.” He discusses this nickname in the interview… and from his website:
“My grandmother made up the word,” explains Andreas. “Roughly translated from German, her moniker for me was something along the lines of “stewing teapot,” a reference to the constant humming I did while playing with my Legos or train sets. At four years old, music was already brewing inside my head, escaping in bouts of sonorous steam while I fiddled with my toys.” More from his website
Totally Square Records
Andreas discusses with Confetti Park the unique concept behind Totally Square Records, which features pop and pop rock music. The featured artists have more than captivating hooks, intriguing melodies, and tight harmonies in common—they also share a commitment to serve as positive role models to their fans.
“What we do is we sign recording artists who agree to stay out of trouble, to stay away from all the tabloid catchers, and focus on making great music,” Andreas explains. He then goes on to introduce some of the artists featured on the label. (Enjoy clips of the following artists from the roster of Totally Square Records in the interview.)
“Anamaria Angel has a great pop rock feel…She is a fantastic artist.”
“I’m also really excited to work with Justin and Alina, a brother and sister team. It’s amazing watching and hearing them work together.”
“We also have an artist by the name of Nicole Raviv, a fantastic vocalist. She was raised in Canada and Israel. She goes back all the time to Israel to put on some really big shows.”
Outside of the label, Andreas creates his own music—which runs the gamut of styles from pop singles to long-form symphonic pieces and musicals. Much of Andreas’ musical creativity is inspired by his spirituality. (Listen to some samples.)
Andreas and daughter Ramona, who is already showing a love for songwriting
Passing on the love of music
Andreas also enjoys collaborating with his children, twin boys and a daughter, on music. Here is a song called “Rock ‘n Roll Star” that features a hook that his five-year-old daughter Ramona came up with.
“She just started singing it and I immediately screeched to a halt whatever I was doing and listened and started banging it away on the piano,” says Andreas. “It’s such a catchy little hook!”
Andreas’ advice to parents who want their kids to find a creative outlet is, first and foremost, let them breathe and have room to find their own passion. And once you see their passion, nurture it!
“Kids will have their own spark and their own interest, and you can pick up on that,” he says. “If you do see a spark, and a genuine interest, I say feed it!”
In this episode of Confetti Park, New Orleans-based trombonist Dr. David Phy shares early music memories of learning how to read sheet music with his dad.
David is a professional musician who has performed with national acts and jazz artists such as The 4 Tops, The Temptations, Bonerama, Delfeyo Marsalis, The Yin Yang Twins, Chip McNeil, Louis Belson, Lena Prima, Louis Prima Jr., Charo, and the Dukes of Dixieland. He has taught at Tulane University, University of New Orleans and Delgado Community College in New Orleans.
David grew up in a musical household. His father was a professional pianist, organist, and teacher. His role as church organist led to David’ earliest interactions with written music.
Says David: “Growing up, my father was the church organist. At the end of church, there is always the postlude, where there’s a nice big organ fanfare piece, as people are supposed to go out into the world and carry on the philosophy of the sermon.
I remember I used to run up the stairs to the church loft where he would be playing organ, and he would need me to turn pages for him.
As he said ‘Turn the page,’ I knew that he would be starting at the top…so though I couldn’t read music…I kind of started following along.
I would play a game with myself, to think, ‘I bet, as I’m following along with my eyes, I can guess roughly when he needs me to turn the page….’ That was one of my earliest moments with music.”
David explains how these early experiences led him to playing in high school, college, cruise ships, Vegas, and now, New Orleans!
Isn’t it wonderful how these childhood musical interactions with his father led to a full, lifelong career in music? Thanks for sharing your memory, Dr. Dave!
Confetti Park is a community radio program out of New Orleans. We feature local storytellers and songs that kids love, songs created for kids, or created by kids, right here in Louisiana. This medley of kids music shows the diversity of Louisiana musicians. Songs featured in this episode, in order:
And here are Confetti Park Players Eleanor and Manele Anika with their original poems.
The Confetti Park podcast and radio program, hosted by Katy Hobgood Ray, features music and stories spun in Louisiana. It showcases songs that kids love, songs created for kids, and songs created by kids. Sparkling interviews, in-studio performances, delightful music medleys, jokes, local author storytime, and a little surprise lagniappe make for an entertaining show!
Minnie Maude Carter Boston, born in Nathan, Ark., August 18, 1888.
A very long time ago, my great-grandmother Minnie Carter Boston shared for posterity some of her memories of life growing up in rural Arkansas in the late 1800s, in the piney woods and rolling hills. Her daughter-in-law (and my grandmother) Gypsy Damaris Petty Boston transcribed the memories while they lived in Shreveport, Louisiana.
Arkansas is part of an eroded lamproite volcanic pipe, which has caused diamonds to rise to the surface. I don’t understand all the geological processes, but there really are diamonds to be found on the ground in Arkansas. There is even a mining field called Crater of Diamonds that is open to the public, where you can go with your shovel, bucket and screen kit and hunt for diamonds under the hot, hot sun. You keep what you find!
The story goes that when Minnie was growing up, they regularly encountered the rough uncut stones in their yard, and never knew that they were playing with precious gemstones. So many people in the region were poor farmers and loggers—oh, the irony! How different their lives would have been had they recognized the diamonds in the rough (and knew where to trade them!).
Minnie Carter printed up her memories in a little book and called it I Played With Diamonds. In the forward, she dedicates it to her grandchildren:
“This booklet has especially been written for you. You have the story of my childhood days in the first ten years of my life.”
You won’t find this collection of family stories, childhood adventures, descriptions of country life or particular people on any library shelf (that I am aware of), but there are a few dozen copies out there. I have one, and to me, it is as precious as any diamond.
Within it are essays with colorful titles such as “Bath Facilities,” “Hog Killing Time,” “An Ash Hopper and How to Make Soap,” and “My First and Last Dip of Snuff.” The book is delightful, sweet, entertaining, and shows the great warmth and love her family. It’s also a marvelous snapshot of a time before industrialization, telephones, television, and Internet. It seems so very long ago.
Here is the opening of the book, narrated by New Orleans schoolteacher Catherine Golden. It is a description of the house that Minnie grew up in… it sets the scene for the stories that will follow, about the family, friends and neighbors of little Minnie Carter. The second segment is “My First Shopping Trip,” in which Minnie must trade an old hen to afford a birthday present.
I hope you enjoy this booklet, which I will share in segments over time.
P.S. Consider writing a memoir for your future grandchildren, by documenting the experiences of your childhood!
Crystal Thomas is a singer and a trombonist in Shreveport
Crystal Thomas is a Shreveport-based songwriter, singer and trombonist who regularly performs around Louisiana. A performer of the blues and gospel, you can find her (if not in churches) at various clubs like Southern Soul Lounge and at the venerated Monday Night Blues Jam at Lee’s in Shreveport.
In this episode of Confetti Park, Crystal shares a delightful story about how her desire to perform overcame her lack of musical know-how when she was just a child.
“I was in the third grade and we had a Mother’s Day Program and they wanted everyone to participate. Being a music lover, I was like, ‘Well I’ll play the piano!’
‘I couldn’t play the piano….didn’t know how to play the piano! But my love for music…prompted me to getup to the piano, sit down and play. And everyone loved it. I think they applauded more because I had the gumption, the nerve…..I basically made up a song on the spot, in front of the entire school.’”
Crystal goes on to explain that she believes her music memory can serve as an example for children to not be afraid to dream big.
“Never be afraid to push and follow your dreams,” says Crystal. “Shoot for the stars, and wherever hard work takes you, apply yourself. You can achieve and accomplish anything.”
Judy Caplan Ginsburgh has been performing children’s music since 1981.
In this episode of Confetti Park, we hear a special childhood memory from Judy Caplan Ginsburgh of Alexandria, Louisiana, an internationally recognized and multi-award winning performer, recording artist and educator.
Judy sings as a cantorial soloist and travels throughout North America presenting concerts, residencies, educational keynotes and workshops. Judy works actively in both Jewish and non-Jewish settings and she has developed a number of interactive, educational performances and arts-in-education residencies for school-age children. She has been creating children’s music since 1981!
Judy shares how important the validation of adults can be when it comes to nurturing a child’s natural talents and interests, and how an experience that happened when she was just eight years old set her on a career in music!
Says Judy: “We had a music teacher who came to our school maybe every other week, and she would do music with all the children in the school.
At one point our local symphony here in Rapides parish needed a children’s chorus… and they auditioned people at our elementary school.
I remember a gentleman coming, he listened to all of us, and we sang, I think, “Happy Birthday.” And we sang in groups of like five. And he walked in front of us and listened to us, and picked certain people to be in this children’s chorus.
I was one of those that was picked, when I was about 8 years old, and at that moment, I knew that I was good. That my voice was good. Someone had validated me…..
I’m still in touch with this gentleman, by the way, and I always tell him that he’s responsible for making sure that I went into music as my career.”
Thank you, Judy, for sharing your childhood music memory with Confetti Park!
In this episode of Confetti Park, Katy Hobgood Ray interviews Kid Chef Eliana de Las Casas, a New Orleans-based chef who is seriously one of the hardest-working kids around.
Eliana has been cooking since she was four years old! Her interested hasn’t waned over the years from those early days of watching her family elders make food in the kitchen. Now at 16 years old, Eliana has bloomed as a chef, as an entrepreneur, as a cookbook author and as a culinary personality.
Eliana was born in Gretna and has a whole lot of cultural influences driving her style. She describes herself as a gumbo of Filipino, Cajun, Honduran, and Cuban.
“My whole family taught me how to cook, everyone. We always loved being in the kitchen together and having huge family gatherings,” says Eliana. “There would just be all kinds of different dishes at the table. I never wanted to leave the kitchen! I was never the kid to ask for toys. I always wanted something kitchen-related.”
Eliana’s mom is notable Louisiana children’s author Dianne de las Casas, and she encouraged Eliana to start a food blog when Eliana was touring with her at book signings around Louisiana. From there, Eliana’s abilities as a media mogul, too, grew! Soon Eliana was doing cooking tutorials for kids on YouTube, and before long she declared her intention to publish a cookbook. She was only ten years old when her first cookbook came out—today Eliana has three: Cool Kids Cook: Fresh & Fit, Cool Kids Cook: Louisiana, and Eliana Cooks: Recipes for Creative Kids.
In this interview, Katy and Eliana dive deep into Eliana’s early inspirations and her current aspirations, which include launching her own line of spices. They also talk about some of Eliana’s adult mentors, such as New Orleans-based chefs Tory McPhail (Commander’s Palace), Chef Adolfo Garcia (Primitivo, RioMar) and Chef Ryan Hughes (Purloo).
Eliana is currently a full-time student at New Orleans Center for Creative Arts. She takes traditional academic classes in the morning, and in the afternoon, she studies in a culinary arts program funded by the Emeril Lagasse Foundation. She is also a radio host! Every Friday at 6pm CT, listen to Kid Chef Eliana’s weekly radio show, Let’s Get Cookin’, on 102.3 FM WHIV.
Eliana is competing on Chopped Teen Tournament on Food Network in September. The tournament has 16 teens battling for a cash prize of $25,000. Let’s all support this teen chef representing the city of New Orleans!
It’s a music memory brought to you by Confetti Park!
Jimmy Caskey lives in Shreveport, Louisiana, where he and his wife Jacques own and operate a beloved lunchtime restaurant called Jacquelyn’s Cafe. Jimmy has been playing guitar all his life, and has performed in several different bands around north Louisiana.
Whenever people go to Jacquelyn’s Cafe, in addition to enjoying the shrimp salad and Monte Cristo sandwiches, bowls of gumbo and red beans and rice, they’re getting a musical education (whether they know it or not!). Jim Caskey is the deejay, and he lovingly shares his large and eclectic recording collection with everyone who steps through the doors. He will talk music with anyone who is interested in learning about what they’re hearing.
Jimmy’s love for music is lifelong. In this music memory, Jimmy discusses discovering his parents’ turntable and records when he was small child:
“I was around 5 or 6 in Mississippi, I remember my folks had albums and a turntable. And I remember sitting there listening to the albums and was fascinated by music. And I’ve been fascinated ever since then by recorded music…..And when I was 13 I started playing guitar, and I don’t know why I can’t explain it, but I was always infected and amazed by music of all sorts. Except for heavy metal.”
Thank you, Jimmy, for sharing your childhood music memory with Confetti Park!
It’s a childhood music memory from Rich Collins, a founder and front man for one of the most popular children’s music groups in the world, theImagination Movers. Rich also has a burgeoning solo career, with a new album of songs geared toward adults. (Scroll down for music videos!)
In this music memory, Rich talks about the music he associates with large family gatherings at Thanksgiving:
“My family up in DC was large and we would all gather for all the major holidays, and the holiday that was at our house every year was Thanksgiving. And we had a very fun family, so basically the way every one of these gatherings ended was with all the tables and chairs being pushed aside, and we would put on records and start dancing.”
Rich talks about how his father curated the albums that became the basis for Thanksgiving memories: “The soundtrack to my youth, and to these parties, and to these great family memories, was the Beatles, Creedence, and Otis Redding.”
Today, the tradition lives on for Rich and his family.
“Every other year here in New Orleans (where I’ve been for 25 years), I host Thanksgiving. And I have a Pandora channel with those three artists on it and I put it on and it’s playing the whole time that I’m gathered with my sisters and my mom and the next generation…”
Thanks, Rich, for sharing this wonderful family tradition with Confetti Park. Listen to this extended interview with Rich Collins, all about the music of the Imagination Movers.
Saxophonist John Doheny at a Confetti Park recording session with Chuck Bee (L) and Roger Lewis (R).
In this episode of Confetti Park, we hear a childhood music memory from New Orleans-based saxophonist John Doheny.
John has a long career as a professional jazz musician, band leader, writer, and educator. Originally from the Pacific Northwest, he first started playing clarinet as a child and was part of youth orchestras from an early age.
John switched to saxophone as a teenager, and says he developed his chops playing six nights a week as a college student in Vancouver. He spent his twenties and thirties playing and recording with a slate of well-known pop and rhythm and blues artists such as the Coasters, the Platters, Bobby Curtola, Buddy Knox, the Temptations, Solomon Burke, Michael Buble, and Doug and the Slugs.
In 2003, John moved to New Orleans and enrolled in the graduate school at Tulane University. In addition to earning an MA in Musicology (with a concentration in Early New Orleans Jazz), he served as Professor of Practice in the music department and directed the student jazz band. He also served as band leader of the Professors of Pleasure, and has released several straight-ahead jazz recordings. (We are honored that John appears on a track with the Confetti Park Players—The Clapping Song.)
In this memory, John recalls how his mother made him practice every day, and how it led to a favorite jam.
“My mother said you have to practice for 30 minutes after school or no cartoons. And so I would be sitting there playing with the Klose book, and then the cartoons would come on, and then because I already had the horn in my hand, I taught myself how to play the Bugs Bunny theme song. I didn’t know it at the time, but I was teaching myself how to play what I hear, which is kind of what you want to do.”